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These papers are decorated with a combination of stenciling and resist dying, a precise and laborious process. A kata, or stencil form, is used when applying a gelatin substance to the surface (in this case, paper). After the gelatin is dried, pigment is applied...

These papers are decorated with a combination of stenciling and resist dying, a precise and laborious process. A kata, or stencil form, is used when applying a gelatin substance to the surface (in this case, paper). After the gelatin is dried, pigment is applied...

These papers are decorated with a combination of stenciling and resist dying, a precise and laborious process. A kata, or stencil form, is used when applying a gelatin substance to the surface (in this case, paper). After the gelatin is dried, pigment is applied...

These papers are decorated with a combination of stenciling and resist dying, a precise and laborious process. A kata, or stencil form, is used when applying a gelatin substance to the surface (in this case, paper). After the gelatin is dried, pigment is applied...

These papers are decorated with a combination of stenciling and resist dying, a precise and laborious process. A kata, or stencil form, is used when applying a gelatin substance to the surface (in this case, paper). After the gelatin is dried, pigment is applied...

These papers are decorated with a combination of stenciling and resist dying, a precise and laborious process. A kata, or stencil form, is used when applying a gelatin substance to the surface (in this case, paper). After the gelatin is dried, pigment is applied...

These papers are decorated with a combination of stenciling and resist dying, a precise and laborious process. A kata, or stencil form, is used when applying a gelatin substance to the surface (in this case, paper). After the gelatin is dried, pigment is applied...

These papers are decorated with a combination of stenciling and resist dying, a precise and laborious process. A kata, or stencil form, is used when applying a gelatin substance to the surface (in this case, paper). After the gelatin is dried, pigment is applied...

These papers are decorated with a combination of stenciling and resist dying, a precise and laborious process. A kata, or stencil form, is used when applying a gelatin substance to the surface (in this case, paper). After the gelatin is dried, pigment is applied...

These papers are decorated with a combination of stenciling and resist dying, a precise and laborious process. A kata, or stencil form, is used when applying a gelatin substance to the surface (in this case, paper). After the gelatin is dried, pigment is applied...

These papers are decorated with a combination of stenciling and resist dying, a precise and laborious process. A kata, or stencil form, is used when applying a gelatin substance to the surface (in this case, paper). After the gelatin is dried, pigment is applied...

These papers are decorated with a combination of stenciling and resist dying, a precise and laborious process. A kata, or stencil form, is used when applying a gelatin substance to the surface (in this case, paper). After the gelatin is dried, pigment is applied...

"Katazome-shi" literally means stencil-dyed (katazome)papers (-shi). Developed during the 20th century in Kyoto, based on traditional kimono printing techniques, Katazome-shi was being made up until recently. These richly colored papers are printed by hand, one color at a time, using persimmon-dyed kozo as the...

"Katazome-shi" literally means stencil-dyed (katazome)papers (-shi). Developed during the 20th century in Kyoto, based on traditional kimono printing techniques, Katazome-shi was being made up until recently. These richly colored papers are printed by hand, one color at a time, using persimmon-dyed kozo as the...

"Katazome-shi" literally means stencil-dyed (katazome)papers (-shi). Developed during the 20th century in Kyoto, based on traditional kimono printing techniques, Katazome-shi was being made up until recently. These richly colored papers are printed by hand, one color at a time, using persimmon-dyed kozo as the...

"Katazome-shi" literally means stencil-dyed (katazome)papers (-shi). Developed during the 20th century in Kyoto, based on traditional kimono printing techniques, Katazome-shi was being made up until recently. These richly colored papers are printed by hand, one color at a time, using persimmon-dyed kozo as the...

"Katazome-shi" literally means stencil-dyed (katazome)papers (-shi). Developed during the 20th century in Kyoto, based on traditional kimono printing techniques, Katazome-shi was being made up until recently. These richly colored papers are printed by hand, one color at a time, using persimmon-dyed kozo as the...

"Katazome-shi" literally means stencil-dyed (katazome)papers (-shi). Developed during the 20th century in Kyoto, based on traditional kimono printing techniques, Katazome-shi was being made up until recently. These richly colored papers are printed by hand, one color at a time, using persimmon-dyed kozo as the...

"Katazome-shi" literally means stencil-dyed (katazome)papers (-shi). Developed during the 20th century in Kyoto, based on traditional kimono printing techniques, Katazome-shi was being made up until recently. These richly colored papers are printed by hand, one color at a time, using persimmon-dyed kozo as the...

"Katazome-shi" literally means stencil-dyed (katazome)papers (-shi). Developed during the 20th century in Kyoto, based on traditional kimono printing techniques, Katazome-shi was being made up until recently. These richly colored papers are printed by hand, one color at a time, using persimmon-dyed kozo as the...