White

This gorgeous paper comes to us from a Mexico, where skilled artisanshave been producing amate paper for centuries. The culture of amatepaper dates back to pre-Columbian Meso-Americantimes. Amate paper looks amazing if you simply frame a sheet as ready madeartwork. Also terrific for bookmaking...

The word amate derives from amatl, the Nahuatl word for paper. Mayan andAztec Indians painted on amate paper to create codices (accordion foldedbooks) depicting stories, historical events and even astrology. TheOtomi people still use amate paper today for creating cutout figures forreligious ceremonies while...

A high quality paper roll that is 70% kozo, 30% sulphite. Very bright white, this paper is ideal for painting in inks, watercolors, and acrylics. You can also use it for drawing, encaustic, and many printmaking methods. The translucent quality makes this an ideal...

This gorgeous paper is made from 100% kozo. It has a natural, creamy color. The long, silky kozo fibers make this paper surprisingly strong for its weight (30gsm). Rolls measure 38.75" x 11 yds. Superb paper for printmaking techniques, encaustic painting, screens, window treatments,...

This bright white roll is a basic, good quality paper made from 100% sulphite. The rolls measure 36" x 23.5' and the weight of the paper is 45g. A perfect paper for screens (shoji), sumi painting, drawing, acrylic painting, lighting treatments, lampshades, and much...

This bright white paper is made from 100% kozo. The longer, thicker strands of kozo fiber running throughout give this paper the look of popular "unryu" papers. Unlike most unryu, Haruki is thicker at 80gsm. The weight and the long fibers make this a...

This roll is made from 100% kozo. Rolls measure 38" x 30'. This creamy paper has flecks of bark running throughout, giving it a lovely decorative look. Kozo is a very sturdy fiber, and this paper is thin and translucent- yet surprisingly strong. Perfect...

This paper has a relatively deep natural color and smooth surface.Its texture is classically Japanese, with no additional sizing, makingit good for both printmaking and calligraphy.30% Kozo - 70% Alpha Cellulose. 70 gsm. The etching shown on Bunkoshi Select is by Marie Hayashi.

This sturdy sheet is made from an impressive blend of kozo andcotton; and is the first fine paper to feature this unique East meetsWest fiber blend. Hakuho Select's strong and resilient surface iscertain to lend unique textural depth to art works created on it....

Made with environmentally friendly bamboo, this sheet has a smallecological footprint. Bamboo Select is slightly heavier than other Japanese paper. It has a lovely soft surface making it ideal for intaglio, block printingand letterpress. 70% Bamboo - 30% Recycled fiber. Sheets measure 17"x20.5". Sized....

Striped "laid" lines are a unique characteristics of this high quality sheet. Long recognized by printmakers as one of the most versatile of Japanese papers, Hosho Select is particularly suitable for woodblock prints. Bright white in color, this paper offers excellent contrast with color...

Primarily composed of gampi fiber, Kitakata has a subtle gloss  yetsurprisingly soft surface. Warm toned and very resilient, the sheetitself is also quite dense. Ideal for most types of printmaking. 90%gampi fiber, 10% alpha cellulose fiber. Unsized. Sheets  measure 17"x20.5". 90 gsm. The lithograph...

These cotton papers from India are hand marbled, using oil based inksthat are floated on a bath of water. The contrast between the colors ofthe papers and the metallic colors used for the marbling makes for anastonishing effect! These are ideal for collage, printmaking,...

These cotton papers from India are hand marbled, using oil based inksthat are floated on a bath of water. The contrast between the colors ofthe papers and the metallic colors used for the marbling makes for anastonishing effect! These are ideal for collage, printmaking,...

Tassotti papers started at the Remondini printing house, which was active in Venice from 1657-1862. In 1957 Giorgio Tassotti resumed the Remondini���s old business and began presenting hand-coloured prints. Today,Tassotti papers are manufactured using the highest quality acid-freematerials and highly lightfast inks. The patterns...

Tassotti papers started at the Remondini printing house, which was active in Venice from 1657-1862. In 1957 Giorgio Tassotti resumed the Remondini���s old business and began presenting hand-coloured prints. Today,Tassotti papers are manufactured using the highest quality acid-freematerials and highly lightfast inks. The patterns...

Tassotti papers started at the Remondini printing house, which was active in Venice from 1657-1862. In 1957 Giorgio Tassotti resumed the Remondini���s old business and began presenting hand-coloured prints. Today,Tassotti papers are manufactured using the highest quality acid-freematerials and highly lightfast inks. The patterns...